Following sold out performances of the How We Used To Live soundtrack at the Barbican Centre in London and Sheffield Doc Fest, Saint Etienne take the film on the road with a mini UK tour in May.

19th Glasgow GFT
20th Holmfirth Picturedrome
21st Brighton Dome

The film will be accompanied by a live score performed by a seven piece Saint Etienne line-up including Sarah Cracknell, Debsey, Pete Wiggs and Gerard Johnson.

The performance at Brighton Dome on Thursday 21st of May forms part of the Brighton Festival in will include the film only (70 mins) with no band set.
Tickets are priced at £16 and £18.50 and available here:

The Holmfirth Picturedrome performance on Wednesday 20th is part of this years Holmfirth Film Festival, situated in the beautiful countryside of Yorkshire’s Pennine Hills. The film will be followed by a short 7-8 song Saint Etienne band set.
Tickets for this event are very limited and priced at £20 here

The three date run commences in Glasgow on Tuesday 19th May at one of our favourite cinemas, the GFT. Once again the film will be followed by a short 7-8 song band set.
Tickets are priced £20 and available here

After months of speculation and rumours we can finally announce that Sarah is releasing a brand new solo album – her first since ‘Lipslide’ in 1997 – this June. To co-inside with the release Sarah sets out on the road to play 5 intimate shows around the UK.

Tickets for these go on sale at 9am this Friday 13th March. The venues are small – just 250-350 capacity rooms – so please book early to avoid disappointment. We will be bringing you more news on the record itself over the coming weeks so please stay tuned. All we can say right now is that Sarah has made something very special indeed.

Sarah will be playing:
16 June – Brighton Komedia – tickets
17 June – London Bush Hall – tickets
19 June – Glasgow Oran Mor – tickets
20 June – Manchester Deaf Institute – tickets
21 June – Leeds City Varieties – tickets

More news on the album very soon and we look forward to seeing you in June.

We are very proud to announce the release of our BFI DVD set A LONDON TRILOGY: THE FILMS OF SAINT ETIENNE, which will be released on July 15th 2013. Here are all the films we’ve made with director Paul Kelly over the last decade, in a lavish box complete with booklet containing essays from the likes of Owen Hatherley and Tom Dyckhoff.

Finisterre has been out of print for several years, This Is Tomorrow – our Festival Hall biopic – was only ever screened three times, and there are a bunch of shorts, some of which have never been seen. Here’s what you get:

Finisterre (2003), directed by Paul Kelly and Kieran Evans, a homage to London – our London, that is. Scripted by Kevin Pearce, with contributions from Mark Perry, Julian Opie, Vic Godard, Vashti Bunyan, Nick Sanderson, Shena Mackay and Lawrence, this was our first attempt at something beyond a regular pop video.

What Have You Done Today Mervyn Day? (2005) follows paperboy Mervyn Day on his round, uncovering the hidden history of East London’s Lower Lea Valley. It is set the day after the Olympic decision was made. This was destined to become a lost landscape and we wanted to preserve what remained of it on film before it was redeveloped to become the Olympic Park. Voiceover courtesy of David Essex and Linda Robson.

This is Tomorrow (2007) was commissioned by the Southbank Centre where we spent a year as artists in residence. We wanted to record the history of the Festival Hall and interviewed surviving architects and designers including Leonard Manasseh and Robin Day. The film also documented the hall’s complete refurbishment from 2005-2007, which has once again made it London’s cultural centre.

The extras are Todays Special, three short films about London cafes made for Channel 4; Monty the Lamb, which follows the mascot of Hendon FC in their last season at the legendary Claremont Road ground; Seven Summers, a return to the Lower Lea Valley just ahead of the Olympic Games; The Other South Bank, the tale of a former industrial town on Teesside; and Banksy In London, made up of outtakes from Finisterre, back when the artist was a benevolent East London presence.

You also get an illustrated 32 page booklet with essays by Bob, Paul Kelly, Sukhdev Sandu (NYU), Owen Hatherley (New Ruins of Great Britain), Sonia Mullett (BFI) and Tom Dyckhoff (the Guardian).

Those who pre order the DVD – ahead of it’s July 15th release date – via either Rough Trade or the BFI shop will also receive an exclusive set of four post cards – miniature replicas of the original film posters designed by Paul Kelly.
Order from Rough Trade here
Order from the BFI here

We’re also holding a launch event at Rough Trade East on Friday 12th July from 6.30pm where we will be screening a selection of short films from the DVD. All three of us plus director Paul Kelly will be in conversation with Luke Turner from the Quietus. Admission is free and the DVD – with postcard set – will be on sale.

All the details are here.

WHEN: Saturday 15 June 2013, 11am-6pm
WHERE: Cantor Film Center, 35 East 8th Street (between Greene Street and University Place).

FREE AND OPEN TO THE PUBLIC

11:00: INTRODUCTION by Sukhdev Sandhu
11:15: THIS IS TOMORROW (2007), 54 min (NYC premiere)
12:15: WHAT HAVE YOU DONE TODAY, MERVYN DAY? (2005), 45 min (NYC premiere)
1:30: FINISTERRE (2003), 60 min
2:45: TAKE THREE GIRLS (2008), 40 min (NYC premiere)
3:45-4:15: Discussion between Paul Kelly and Bilge Ebiri/ Q&A
4:30-6:00: LAWRENCE OF BELGRAVIA (2011), 86 min (NYC premiere)

Over the last decade, Paul Kelly – already well known as a musician (as a member of the much-revered East Village) and graphic designer – has forged a reputation as one of the most distinctive British documentarians of his generation. Refining an unusually lyrical brand of psychogeography informed by pop-modernist aesthetics, he moves between the city symphony, film essay and companionate portraiture to fashion beautifully composed and deeply atmospheric evocations of overlooked places and individuals. Whether working in collaboration with the band Saint Etienne on a lushly ambient trilogy about London, or in his witty and empathetic films about the much-beloved Dolly Mixture and Lawrence of Felt, Kelly’s films are immediately recognizable and immediately lovable.

Nothing’s Too Good For The Common People is the first retrospective of this key filmmaker’s work to have been held anywhere. Organised by the New York-based Colloquium for Unpopular Culture (Kiss Me Again: The Life and Legacy of Arthur Russell; Leaving The Factory: Wang Bing’s Tie Xi Qu; A Cathode Ray Séance: The Haunted Worlds of Nigel Kneale) in collaboration with Chickfactor magazine, it will feature the US premieres of many films, introductions by a constellation of artists and musicians, and Paul Kelly himself in discussion with the director and writer Bilge Ebiri.

To mark Nothing’s Too Good For The Common People, there will be available for sale copies of a very limited-edition book designed by Rob Carmichael (John Cale, LCD Soundsystem, Animal Collective’s ‘Crack Box’) and featuring contributions by a wide range of writers, musicians and architectural historians including Jon Dale, Travis Elborough, Alistair Fitchett, Dan Fox, Joe Kerr, Stephin Merritt, Jude Rogers, and Peter Terzian.

Queries/ RSVP: ss162@nyu.edu